https://www.imosver.com/en/libros/quo-vadis-30900600023090060002Quo Vadis?15.99Muchos críticos y lectores han querido ver en QuoVadis? una metáfora política de la Polonia en que viviósu autor, Henryk Sienkiewicz (1846-1916), sojuzgada por el imperialismode Rusia (que sería la Rohttps://static.imosver.com/imagenes_small/9788477/978847702335.jpgLibrosLibros/HISTORICASin stockVALDEMAR000https://static.imosver.com/imagenes_small/9788477/978847702335.jpg0010771460CIM00787140010770134001034662016.8350.849788477023357Sienkiewicz, HenrykLibrosidioma_SpanishCformato_Tapa blanda o Bolsilloautor_Sienkiewicz, Henryksaga_HISTORICA
Artículo
Quo Vadis?
Sienkiewicz Henryk
VALDEMAR
HISTORICA
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Muchos críticos y lectores han querido ver en QuoVadis? una metáfora política de la Polonia en que viviósu autor, Henryk Sienkiewicz (1846-1916), sojuzgada por el imperialismode Rusia (que sería la Roma Imperial) y su Zar (doble históricodel César Nerón), equiparando así a los polacos deentonces, que se habían levantado contra la ocupación rusa,con los primeros cristianos perseguidos por Roma.Para el lector indiferente a la épica del martirio,QuoVadis? es también una excelente historia de tensión,casi de terror, con elementos de thriller judicial, de novela de prisionesy hasta de novela rosa. Una curiosidad, el buen aficionado a la narrativahistórica encontrará en el infame personaje de QuilónQuilónides un posible precedente de los actuales «detectivescon toga».La novela comienza en el año 63 d.C., en tiemposdel César Nerón, de la dinastía de los Julios-Claudios,y en ella seremos testigos del gran incendio de Roma, de las primeras persecucionesde los cristianos y de los grandes festivales del circo romano; conoceremosa un Nerón interesante, terrible y divertido, a un Tigelino exquisitamentemiserable, a unos San Pablo y San Pedro verosímiles, a una Popeasensual, humana y peligrosa, a un Petronio, árbitro de la elegancia,fascinante. Sienkiewicz sigue los Anales de Tácito, algunos escritosapócrifos de los cristianos y los descubrimientos arqueológicosde su época para mostrarnos aquel mundo pagano en todo su esplendor,en sucesivos frescos que nos recuerdan el brillo y la épica de pintoresapasionados por la antigüedad clásica como Alma Tadema o LordLeighton.